Sixties Pop: Gary Lewis & The Playboys - Hits Again! 1966 (Liberty, Vinyl, Stereo and/or Mono)

It would be difficult to find a rock & roll star -- and that was what he was for two years in the mid-'60s -- less likely than Gary Lewis, or a less probable chart-topping act than Gary Lewis & the Playboys. Lewis himself was possessed of a limited singing range and didn't have what could be considered good looks, yet with a lot of help he managed to make some exceptionally good (and good-selling) records out of Los Angeles, in the midst of the British Invasion, and teenagers loved him. He was the son of actor/comedian/director/producer Jerry Lewis, who was then one of the most popular entertainers in the country. Gary Lewis was born in 1946, before his father's ascent to the top of the entertainment world, but by the time he reached his teens -- and had begun playing drums and leading a combo of his own, which included Dave Walker on rhythm guitar and Dave Costell on lead, Al Ramsey on bass, and John West on the cordovox (a kind of electric accordion) -- Jerry Lewis was a major star and one of the hottest box office and television attractions in the world.

The younger Lewis and his band got a gig during the summer of 1964 playing at Disneyland, and that engagement, coupled with some urging by the elder Lewis, helped get the band a hearing from Snuff Garrett, a top producer based at Liberty Records. Garrett saw some possibilities for the group and encouraged them to work in the studio at developing a sound. Gary Lewis even got some pointers in his approach to his instrument by no less a figure than Buddy Rich. It finally happened for them late in 1964 with a song called "This Diamond Ring," co-authored (with the Drifters in mind) by a young Al Kooper. The resulting record, on which Lewis sang (with lots of doubling of his voice) and he and the Playboys played on some of the basic tracks, but which mostly featured Hal Blaine on timpani and arranger Leon Russell dubbing much of what was left, was a career-making smash.

That song hit number one on the charts in early 1965, right in the middle of the British invasion, and introduced Lewis to the public. It also gave him a singing persona that was especially appealing to preteens and younger teenagers, as a kind of likable nerd, a sort of '60s pop culture Ur-nebbish, not too far from the pose adopted by Peter Noone of Herman's Hermits on songs like "Mrs. Brown, You've Got a Lovely Daughter." Every boy under age 16 whose voice ever tightened up or even squeaked slightly while pondering asking out a girl they liked -- or who simply feared being unlucky in love -- could identify with the persona that Lewis presented, while girls adored him as someone "safe." In a sense, Lewis was a successor to such teen pop idols as Fabian and Frankie Avalon, with a touch of Beaver Cleaver-ish or Wally Cleaver-ish nerdiness that fit the early to mid-'60s.

It was all a long way from what the Rolling Stones or even the Beatles (apart from Ringo) were doing at the time, but it found an audience that also included parents and other post-teen listeners, who appreciated the smoothness and attractiveness of Garrett and Russell's work as producer and arranger, respectively. Some of the music was a little sappy -- "Save Your Heart for Me" wasn't even soft rock, but what one might call "wimp rock" -- but a lot of it was beautiful AM pop. (excerpts by allmusic.com written by Bruce Eder)

 In December '66 Lewis joined the armed forces. His successful career was over although he made a very good album in '67 called ''Listen'' (in my opinion his best) that got critical acclaim but don't sold well.
Lewis played later the oldies circuit with different musicians who's called the Playboys back then.

Here is the collection called ''Hits Again'' released in 1966. Lot of his successful singles and nice cover songs make this collection really worth a listen. It's here in stereo and/or mono recordings.(Frank)

Mono Flac 
Mono mp3@320 
Stereo 24-96 Flac 
Stereo 24-96 mp3@320