Beatlesque Pop/Power Pop: We All Together - We All Together 2 1974 (1997 Lazarus Audio Product) (5 Bonus Tracks)

The Peruvian band We All Together, though unknown beyond a core cluster of cultists, was among the prime exponents of Beatlesque pop/rock in the early '70s. Led by singer and frequent composer Carlos Guerrero, who (along with some other members) had been in the Peruvian rock band Laghonia, they released two albums (singing in English) in the first half of the '70s. These were fashioned after the lighter side of the late-'60s Beatles, particularly in the vocal harmonies, melodic tunes, and sophisticated arrangements blending keyboards, acoustic guitars, and electric guitars in a graceful manner.

Although Lennon, McCartney, and for that matter, Harrison's influence, show up in We All Together's work, they had more of an affinity for McCartney's engaging melodicism, to the point of covering some obscure, early McCartney solo tunes. On their second album, they also reached into some British progressive rock riffs, although the Beatles vibe remained dominant. With the exception of Badfinger, they may have been the best band of their time to play in an avowedly Beatlesque style. Their albums, once all but impossible to find in the Northern Hemisphere, were reissued in the U.S. in the late '90s.(R. Unterberger, allmusic.com)

Album:
Their second and final album strongly echoes late-period Beatles, particularly Paul McCartney; in fact, it often seems pitched about midway between the 1969 and 1970 Beatles and the beginning of McCartney's solo career. Although it's hard to shake the nagging feeling while listening to this that it's somehow been created by a cover band who got access to discarded early-'70s McCartney demos, it's a convincing and enjoyable emulation of Lennon & McCartney's pop/rock craftsmanship, if more lightweight, less cogent and personal, and lacking in truly world-class tunes.

It's on a much higher plateau than Klaatu, for instance. And the Beatles aren't the sole point of reference; guitar riffs on "Follow Me If You Can," for instance, have been altered just enough from Yes' "Roundabout" to avoid plagiarism, while the full guitars and harmonies on many cuts will appeal to many a Badfinger fan. The CD reissue has five bonus cuts, some quite worthwhile. On "Rock of Ages," they offer a surprisingly convincing raunchy rocker, in contrast to their usual midtempo blends of voice, guitar, piano, and some orchestration; Carlos Guerrero's "Together Forever" and "It's Us Who Say Goodbye" are in the mold of folky White Album ballads like "I Will" and "Julia"; and there's a faithful version of McCartney's "Band on the Run," not exactly a common cover choice for bands of the time.(R.Unterberger, allmusic.com)

I think, all of you know i am a huge Beatles maniac and these guys were no copy cats. They had their own vision of that style (yes, to me Beatles/McCartney created their own style of the pop genre) and here the band showed what fine songwriters and musicians they were. Wonderful pop album.(Frank)

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