Friday, 24 April 2020
Pop/Rock/Ballad: Bee Gees - Idea 1968 (2006 Reprise) 2CD, Reissue, Remastered, Stereo, Mono
Okay, here is the third and last album from the reprise release ''Bee Gees - The Studio Albums 1967-1968''. Reprise has done a really good job here. The whole package of 6 discs is a lot of fun and the sound quality has been improved a lot compared to the original releases. It is also very welcome that the albums have been released in both mono and stereo by Reprise. Enjoy.(Frank)
The Bee Gees' third album is something of a departure, with more of a rocking sound and with the orchestra (apart from a few well-placed harp arpeggios) somewhat less prominent in the sound mix than on their first two LPs. The two hits, "I've Gotta Get a Message to You" and "I Started a Joke," are very much of a piece with their earlier work, but on "Kitty Can," "Indian Gin and Whisky Dry," and "Such a Shame" (the latter written by the group's then lead guitarist, Vince Melouney),
among other cuts, they sound much more like a working band with a cohesive group sound, rather than a harmony vocal group with accompaniment. Their writing still has a tendency toward the dramatic and the melodramatic, which would manifest itself prominently again on their next album, Odessa, six months later, but here the group seemed to be trying for a somewhat less moody, dark-toned overall sound, and some less surreal lyrical conceits, though "Kilburn Towers" (despite some pop-jazz inflections) and "Swan Song," as well as "I Started a Joke," retain elements of fantasy and profundity.
[In 2006, as part of the shift of the group's back catalog to Reprise Records, Idea was reissued in remastered form, with seriously improved sound and expanded to two CDs with a brace of chronologically-related outtakes -- comprising some of the most fascinating material of their history -- initially as part of the collection The Studio Albums 1967-1968.] (Bruce Eder, allmusic.com)
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Australia Pop/Beat From The Sixties: Peter Doyle & The Phantoms - Speechless (Festival 1989)
Peter Doyle (born July 28 1949, Abbotsford, Victoria, Australia – died October 13 2001, Castlemaine, Victoria, Australia) was an Australian pop singer who had success with a number of Top 40 hits in Australia in the 1960s, then success internationally as a member of The New Seekers in the early 1970s, before resuming a solo career in 1973. (Discogs)
Career:
He started his career at the age of 9 appearing on a children's television talent show called Swallow's Juniors and appeared as a regular on that show for the next five years. At the age of 10 he made his first recording on a 78rpm acetate, "Lucky Devil"/"If Irish Eyes Were Shining". He was performing in Sunday afternoon pop shows at Melbourne's Festival Hall at the age of 14 and at 16 he was signed to a record contract with Ivan Dayman's Sunshine label (whose roster included top singers such as Normie Rowe and Tony Worsley). This led to regular appearances on Melbourne's teen TV show, "The GO Show".
From 1965 to 1967, he released ten 45 records in Australia, of which seven made the Top 40, the most successful of which were a cover of Conway Twitty's Speechless (The Pick Up), and a rousing version of Solomon Burke's Stupidity. He was backed by Melbourne band The Phantoms on all these recordings. He then recorded two singles with the band Grandmas Tonic as lead vocalist. His last two singles, once again under his own name, were for the Astor label although he was still backed on them by Grandma's Tonic,(ex-members of Tony Worsley's backing band 'The Fabulous Blue Jays').
May 1968 saw him join the vocal trio 'The Virgil Brothers', Australia's answer to The Walker Brothers. The Virgil Brothers released two singles in Australia in 1968, "Temptation 'Bout to Get Me" (a Top 5 hit) and "Here I Am". They then relocated to the UK where they recorded their third single, When You Walk Away with producer David McKay. He then quit the trio which broke up soon after.
In 1970, not long after the Virgil Bros had dissolved, he joined the second line-up of The New Seekers. Recommended by Melbourne radio DJ Stan Rofe. This line-up was their most successful and enduring and during his time with them they had a string of international hits, such as Melanie Safka's "What Have They Done to My Song Ma", Delaney & Bonnie's "Never Ending Song of Love" and "I'd Like to Teach the World to Sing".
In 1972, The New Seekers came second representing the UK, in the Eurovision Song Contest with the song "Beg, Steal or Borrow", on which he duetted with his then girlfriend Lyn Paul. As well as sharing vocals in The New Seekers he was a talented songwriter and contributed many songs to their albums which included ballads such as "I Can Say You're Beautiful" and "Lay Me Down" and more uptempo numbers like "Boom Town" and "Cincinnati"
He quit The New Seekers, apparently disillusioned with lack of monetary rewards, in 1973 and resumed his solo career, as a singer-songwriter. He continued working in the UK until 1981, during which period he issued five solo singles, including a cover of The Easybeats "Friday on My Mind", and one album, Skin Deep. During this time in the UK he also recorded advertising jingles for Ribena and Sugar Puffs, provided the vocal for a children's single, "Jungle Ted and the Laceybuttonpoppers" and did backing vocals on Lyn Paul's UK Top 40 solo single, "It Oughta Sell A Million".
In 1975 Glen Wheatley asked Peter to join the Little River Band as lead vocalist, but at this stage Peter wanted to make his way as a solo performer and declined the offer.
By 1976, with the backing of David Mackay, Peter had secured a recording with RCA and his first single, released on 13 August 1976, was a version of the Easybeats' Friday on My Mind. This failed to chart, as did his follow up single, Skin Deep. His album, also entitled Skin Deep, released in 1977, included a variety of musical styles and six songs penned by Peter, but this too failed to provide him with solo success. It was around this time that Peter met the love of his life, Jane Garner, who later became his wife.
Two singles were issued on the independent Limelight label in 1980: the first of these was a cover of Peter McCann's US hit "Do You Wanna Make Love". This song, ironically, had also been covered two years earlier by The New Seekers with Peter Doyle's replacement, Danny Finn, on lead vocal.
Peter returned to Australia in 1981 to work with a band called Standing Room Only. In 1982, ex-Wings drummer, Steve Holly, invited him to join the group Regis in the US, where he worked for the next five years.
Returning to Australia in 1987, Doyle regularly performed on the club circuit. From 1991 to 1993, he was a member of the Ram Band in Melbourne, providing vocals, played bass and keyboards. He appeared with The Ram Band on the "Living Legends Live Benefit Concert" Filmed and Recorded at The Palace Entertainment Complex St Kilda in May 1992. Four original songs written by John van Boxtel and recorded by Doyle on his 4-track tape deck at his home in 1991 are the last known original new song demos he performed. His musical career was curtailed when he suffered ill-health later in the 1990s.
He died in Castlemaine, Victoria, of throat cancer, on 13 October 2001. He is buried at Muckleford Cemetery. (Wikipedia)
Wednesday, 22 April 2020
Sixties Pop: Bee Gees - Horizontal 1968 (2006 Reprise, Reissue, Remastered, Stereo, Mono) 2CD
The group's second album, cut late in 1967 amid their first major British success, is less focused than their first, but also presents a more majestic sound than its predecessor. The opening track, "World," is a poignant,
even somber yet gorgeous ballad filled with clever lyrics, and highlighted by a quavering Mellotron accompaniment, a very close grand piano sound (anticipating elements of the Odessa album), and twangy fuzz-tone guitar. "And the Sun Will Shine" is an even more serious, regretful ballad that is bearable because it is also prettier than "World."
The enigmatically titled "Lemons Never Forget" breaks up the mood with a harder rocking sound, just the group without any orchestra, dominated by a pounding piano and volume-pedal guitar. The most interesting aspect of "Really and Sincerely" -- a song that descends into an even more emotionally melodramatic mood than "And the Sun Will Shine"
-- is its opening, which contains a musical phrase that seems to anticipate the group's disco-era "Nights on Broadway." "Birdie Told Me" is another tale of lost love that offers the variety of some leaner and tasteful electric guitar accompaniment.
Side two of the original LP was more upbeat, opening with the group's catchy chart-topping British hit, "Massachusetts," followed by the cheerful "Harry Braff." "The Earnest of Being George" and "The Change Is Made" are attempts at a harder rock sound, featuring heavy guitar on both and an attempt at bluesy feel on the latter,
while the title track is a trippy psychedelic number that closes the album on an upbeat note. [In 2006, as part of the shift of the group's back catalog to Reprise Records, Horizontal was reissued in remastered form, with seriously improved sound and expanded to two CDs with a brace of chronologically-related outtakes -- comprising some of the most fascinating material of their history -- initially as part of the collection The Studio Albums 1967-1968.] (Bruce Eder, allmusic.com)
These guys were such a wonderful band and i like a lot of their music. For me they are musical geniuses. Enjoy.(Frank)
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70's Bubblegum Pop: Spinach (Featuring Giorgio Moroder & Michael Holm) - Spinach 1st Album 1973 (2003 Repertoire Records)
The album is a collaboration between musician and producer legend Giorgio Moroder and German singer Michael Holm, best known for his career as a pop singer. The album offers bubblegum sound of the seventies and was released in the seventies, as far as I know, only in Japan.
I was too lazy to look for a review but if you like pop you should risk one (or two) ear(s). Enjoy.(Frank)
Late 60's Beatlesque Psychedelic Pop/Pop Rock: The Aerovons - Resurrection 1969 (2003 RPM Records)
The dozen songs that would have been on the Aerovons' album had it come out (though a couple of the songs did come out on a 1969 single) form the core of this release, Resurrection,the U.K. bonus edition also tacks on four bonus tracks. The Aerovons' unusual story -- a band from the American Midwest recording in Abbey Road in 1969, led and produced by their 17-year-old singer-songwriter -- might be the main reason there was interest in excavating these sessions, but this CD is not a mere curio.
It's quite respectable late-'60s Beatles-style pop/rock, if a little green around the edges and pretty derivative. In fact, in a couple of spots it's downright imitative, with "Say Georgia" taking licks from "Oh! Darling," and "Resurrection" itself lifting from "Across the Universe." (Neither of those songs had yet been released by the Beatles at the time of the sessions, but the group heard them by virtue of working in Abbey Road.)
Fortunately, those are the only blatant cops, though Beatles comparisons abound throughout, particularly in the Paul McCartney-esque piano-playing. Songs like "With Her" and "The Years" recall the acoustic outings of both John Lennon and Paul McCartney on The White Album, while "Bessie Goodheart" uses McCartney's more vaudevillian Sgt. Pepper-era outings as an obvious launching pad, and "Something of Yours" brings to mind "Michelle." To this list you could also add the very Lennon-esque echo on the vocal of "The Children."
The Aerovons leaned more toward wistful and sadness-tinged moods than the Beatles did, though. One of the best tracks, "World of You," brings out that quality very well, recalling the better late-'60s orchestrated Bee Gees opuses. The bonus tracks include both sides of a non-LP 1969 single ("The Train," their poppiest number, which echoes both the Hollies and the Bee Gees), the outtake "Here" (very much like McCartney's piano ballads), and a demo of "World of You." (Richie Unterberger, allmusic.com)
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Tuesday, 21 April 2020
Renewed Links 3
Here are the next links for albums where the links expired:
The Neighb'rhood Children - Long Years In Space 1968 (1997 Sundazed)
VA - The Girls' Scene (1999 Deram)
The Mermen - The Amazing California Health and Happiness Road Show (2000 Mesa Recordings)
The Undertakers - Unearthed 1963-1965 (1996 Big Beat)
The Pleasers - Thamesbeat 1978 (1996 Lost Moment)
Fortune & Maltese And The Phabulous Pallbearers – Konquer Kampus (1996 Hillsdale)
ClaudineLonget-We'veOnlyJustBegun1969(1999VividSound,Japan)
Hotlegs - You Didn't Like It Because You Didn't Think Of It 1975 (2012 Grapefruit)
Yellow Sunshine Explosion - Yellow Sunshine Explosion 1987 (2013 Sireena)
126 - Curtains Falling 1967 (2017 Big Pink, South Korea)
More will follow. You find the links with the ''Search'' function.
Stay healthy folks
Frank
Pop: Bee Gees - 1st (1967, 2007 Reprise) 2CD, all Tracks mono & stereo + 14 unissued tracks
The debut international long-player by the Bee Gees may shock anyone who only remembers them for their mid- to late-'70s disco mega-hits, or their quirky early-'70s romantic balladry. Up until 1966, they'd shown a penchant for melodic songs and rich, high harmonies, in the process becoming Australia's answer to the Everly Brothers.
When the Bee Gees arrived in London late in 1966, however, they proved quick studies in absorbing and assimilating the progressive pop and rock sounds around them. In one fell swoop, they became competitors with the likes of veteran rock bands such as the Hollies and the Tremeloes, and this long-player, Bee Gees' 1st, is more of a rock album than the group usually got credit for generating.
Parts of it do sound very much like the Beatles circa Revolver, but there was far more to their sound than that. The three hits off of Bee Gees' 1st, "To Love Somebody," "New York Mining Disaster 1941," and "Holiday," were gorgeous but relatively somber, thus giving Bee Gees' 1st a melancholy cast, but much of the rest is relatively upbeat psychedelic pop.
"In My Own Time" may echo elements of the Beatles' "Dr. Robert" and "Taxman," but it's difficult to dislike a song with such delicious rhythm guitars and a great beat, coupled with the trio's soaring harmonies; "Every Christian Lion Hearted Man Will Show You" was close in spirit to the Moody Blues of this era, opening with a Gregorian chant backed by a Mellotron, before breaking into a strangely spaced-out, psychedelic main song body.
Robin Gibb's lead vocals veered toward the melodramatic and poignant, and the orchestra did dress up some of the songs a little sweetly, yet overall the group presented themselves as a proficient rock ensemble who'd filled their debut album with a full set of solid, refreshingly original songs. [In 2006, as part of the shift of the group's back catalog to Reprise Records, Bee Gees' 1st was reissued in remastered form, with seriously improved sound and expanded to two CDs with a brace of chronologically-related outtakes -- comprising some of the most fascinating material of their history -- initially as part of the collection The Studio Albums 1967-1968.] (Bruce Eder, allmusic.com)
This is from the ''The Studio Albums 1967-1968'' and i will post the other two albums (''Horizontal, ''Idea'') the next days. Enjoy.(Frank)
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Request: Nino Tempo & April Stevens - Sweet And Lovely - The Best Of Nino Tempo & April Stevens (1996 Varese Sarabande)
Seventeen-track anthology focuses mostly on their popular 1963-66 recordings, including "Deep Purple," "Whispering," "Stardust," "All Strung Out," several lower-charting items, and some LP tracks. They milked the "Deep Purple" formula too many times, but this is enjoyably frothy pop, and "All Strung Out" is a genuinely soulful, accurate approximation of Phil Spector's work with the Righteous Brothers.
The disc also includes Stevens's 1959 solo single "Teach Me Tiger," a bizarre cover of "I Love How You Love Me" (with battling bagpipes and fuzzy guitars), and one undistinguished track each from 1985 and 1996. (Richie Unterberger, allmusic.com)
After a long time I heard this duo again today and many songs are still a lot of fun. Enjoy.(Frank)
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Monday, 20 April 2020
Psychedelic Pop/Rock/Garage Rock: Blues Magoos - Electric Comic Book 1967 (2004 Repertoire Records, 11 Bonus Tracks)
The Blues Magoos' first album, Psychedelic Lollipop, earned the band a major hit single, "(We Ain't Got) Nothin' Yet," and in the grand tradition of striking while the iron was hot, the New York-based quintet were back with their second LP, 1967's Electric Comic Book, less than five months later. The sophomore effort
is a noticeably more ambitious piece of work than the Magoos' debut, and while psychedelia was a catchphrase more than anything else on the first record, Electric Comic Book sounds trippier and a bit more expansive by comparison (the goofy "Intermission" tosses in some fairly obvious marijuana and cocaine references which would have been almost unthinkable in 1966, and the drug angle in "Pipe Dream" isn't exactly subtle). In addition, a few months of playing live had tightened up a combo who already sounded pretty good together,
as well as bolstering the confidence in Ralph Scala's vocals and keyboard work and the fuzzy interplay of guitarists Mike Esposito and Emil "Peppy" Thielhelm. However, the blues and R&B elements that were a large part of Psychedelic Lollipop's strength have faded into the background here (except for a overdone cover of Jimmy Reed's "Let's Get Together"), and though the band could come up with a respectable pop tune, "Baby, I Want You" and "Take My Love" sound like throw-aways that were tossed together quickly to fill out a record not quite 30 minutes long (though "Take My Love" does have the very memorable line "Take my love and shove it up your heart").
Psychedelic Lollipop is well short of a classic, but overall it's a stronger and more coherent set of songs than Electric Comic Book, which sounds like the quickly recorded follow-up that it truly was, though it does have moments that suggest the band could have made another album as good as the debut with a bit more time and attention. (Mark Deming, allmusic.com)
In my opinion the album is by no means worse than their debut, but that's probably a matter of taste. In any case a good Psychedelic Pop album. Enjoy.(Frank)
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George Harrison - Far East Man - Live Rarities 2011 (Mini LP release with alternate cover, OBI and Japanese sheet)
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